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Website with 681+ pages devoted to 1903 Iroquois Theater fire in Chicago

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Herbert Cawthorn comic vaudeville actor

English immigrant Herbert Mason Cawthorn* (1860-1940) played the comedic role of Irish Patsha in  Mr. Bluebeard. Since at least 1896, Herbert had been billed as the "King of Irish Comedy." After heaping praise upon another comedian, Eddie Foy, a snarky November 24, 1903, Chicago newspaper review of the opening night performance described Cawthorn as "mildly amusing.

Cawthorn came to America in 1868 from Holborn, England, aboard the  City of Boston landing in New York. He was the son of Alfred and Sarah Willett Cawthorne of London. He became a naturalized citizen in 1917.

In the early days of Cawthorn's career, dating back to 1872, and the legendary theater man, Jack Haverly, Herbert appeared with his younger brother, Joseph B. Cawthorn (1868-1949). Joe was the better known of the brothers. Two other brothers were also entertainers: Alfred Joseph Cawthorn was a music hall comedian, and Arthur Frederick Cawthorn was a musician.

Later, Herbert and his wife, Susie Forrester (1863-1934, married in Marinette, Wisconsin in 1889), appeared together in successful comic sketches. Forrester was Susie's stage name. Her maiden name may have been Rolland. I also found some evidence that her maiden name was Lucy Malloy. From at least 1900 to 1910, the Cawthorn's made their home in New York City and from 1922 until at least 1934 in Interlaken, New Jersey.

Small in stature, just 5' 4", Herbert added impact to his acts with costumes. Herbert's most productive years seem to have been 1895-1909. In fact, their names almost disappear from theater news thereafter. By 1910 he worked only sixteen of fifty-two weeks and was retired by 1930. In 1940, at age eighty and widowed for six years, Herbert lived with a niece in Arlington, Virginia, when he died by suicide.†

Joseph Cawthorn's flawed description

In the Everett disaster book, it was reported that Cawthorn helped several chorus girls escape from the Iroquois then, still in costume and without a coat, joined a few other cast members in a Dearborn street store. He described his experience:

"I was in a position to see the origin of the fire plainly, and I feel positive that it was an electric calcium light that started the fire. The calcium lights were being used to illuminate the stage in the latter part of the second act, when the song, "In the Pale Moonlight," was being sung. "I was standing behind a wing on the left-hand side, which would be the right-hand side to the audience, when my attention was attracted above by a peculiar sputtering of what seemed to me to be one of the calciums. It appears to me that one of the calciums had flared up, and the sparks ignited the lint on the curtain. Instantly I turned my attention toward the stage and saw that many of the actors and actresses had not yet discovered the blaze.

"Just then, the fireman who is kept behind the scenes rushed up with some kind of a patent fire extinguisher. Instead of the stream from the apparatus striking the flames, it went almost in the opposite direction. While the stage fireman was working to use the chemicals, the flames suddenly swooped down and out. Eddie Foy shouted something about the asbestos curtain, and the fireman attempted to use it, and the stagehands ran to his assistance, but the curtain refused to work.

"In my opinion, the stage fireman might have averted the whole terrible affair if he had not become so excited. The chorus girls and everybody to my mind, were less excited than he.

The stagehands and players began to hurry from the theater. There were at least 500 people behind the scenes when the fire started. I assisted many of the chorus girls to get out, and some of them were only partly attired. Two of the young women, in particular, were naked from their waists up. They had absolutely no time to even snatch a bit of clothing to throw over their shoulders."

There are so many discrepancies in Cawthorn's account that I suspect a nearsighted entertainer found an opportunity to get his name in a book so lengthened a one-minute experience into a ten-minute story. It is understandable that neither the coroner nor grand juries asked Cawthorn to testify. Perhaps the coroner's office figured out that Cawthorn was a bag of wind who scooted out the door in the first exit wave and spent the next half hour in a Dearborn street storefront. Unfortunately, the author of Lest We Forget / Chicago's Awful Theatre Horror did not filter the story, so it has been out there for over a century, making  Iroquois fireman Sallers out to be a Keystone cop. Sallers can be faulted for failing to fearlessly demand fire-fighting equipment for the Iroquois, but there was nothing to criticize about his performance at the fire. I must confess that the more I've read about Cawthorne, the more unlikable he seems.

Cawthorn has Sallers still trying to apply Kilfyre when the fireball entered the auditorium. By that time, Sallers had thrown away the useless Kilfyre tube and was on the stage floor trying to free the fire curtain from the light reflector, by which time Cawthorn was standing outside on a corner.

"What Cawthorn describes as "a stream" from the Kilfyre extinguisher, implying it was liquid, could only be stated by someone who couldn't see well. Kilfyre was a dry powder, like Ajax cleanser, and emerged from the can in puffs, like baby powder. No streams.

What Cawthorn perceived as excited behavior was Sallers using a flinging gesture in an effort to make the powder fly high enough up into the air to reach a flame that was far above his head. When he realized the Kilfyre could not put out the fire, he climbed down the ladder from the flybridge, sent someone to turn in an alarm, and ran to the other side of the stage where the fire curtain was hung up on the light reflector and joined others who were trying to close the reflector.

Sallers shouted for the asbestos curtain to be lowered long before Eddie Foy did so from the stage, as did flyman Charles Sweeny and stage worker John McCluskey (on his way out the door).

"The dancers were aware of the fire almost from the first ember.

The lamp that started the fire was a carbon arc, not calcium. (That's picking a nit because I've found others who referred to all the theater lights as "calciums.")

Back in NYC after the fire, on Jan 5, 1904, Cawthorn blamed the disaster on the audience. If they hadn't panicked when their hair caught afire and their children were burning, all would have been well. Silly women wanting to protect their children. He revealed another tidbit not reported previously, that he escaped from the theater wearing only a bathrobe and that his clothing was undamaged.

Discrepancies and addendum

* Most commonly spelled "Cawthorne" in newspapers, but Herbert, or his wife, reported the spelling in the 1900 and 1910 census as "Cawthorn" and Cawthorn was used on his death certificate.

† Tragic that over a century later, a society claiming to be compassionate still does not offer an eighty-year-old man a more dignified choice than a bullet to the brain when he decides his time has come. That's editorializing in a footnote, but I'll let it stand.

Things to learn

What was the storyline of the Irish Patsha character in Mr Bluebeard? Was the character Irish Patsha a modification of the character Shacabac that appeared in earlier versions of Mr. Bluebeard?

Victor Bozardt vaudeville actor Iroquois Theater survivor

Three Billionaire cast members died in Chicago

Stella Follis and

her children

Other discussions you might find interesting

Story 1080

 


A note about sourcing.  When this project began, I failed to anticipate the day might come when a more scholarly approach would be called for.  When my mistake was recognized I faced a decision: go back and spend years creating source lists for every page, or go forward and try to cover more of the people and circumstances involved in the disaster.  Were I twenty years younger, I'd have gone back, but in recognition that this project will end when I do, I chose to go forward.  These pages will provide enough information, it is hoped, to provide subsequent researchers with additional information.


I would like to hear from you if you have additional info about an Iroquois victim, or find an error, and you're invited to visit the comments page to share stories and observations about the Iroquois Theater fire.


Judy Cooke 2024 All rights reserved ©