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Mathilda Moore was probably tickled to take her three granddaughters to an afternoon theater matinee at Chicago's newest luxury theater, the Iroquois.
Showing was Mr. Bluebeard, an extravagant production from
Klaw & Erlanger.
From newspaper reviews she knew there would be hundreds of dancers and vocalists,
comedy routines and even aerial ballet.
Mathilda's granddaughters, aged seven, ten and twelve, would be enchanted,
an experience they'd remember for a lifetime. Mathilda invited the
family's domestic helper on the excursion too, to enjoy the performance
and help Mathilda keep track of the wraps, opera glasses, purses and muffs of three
youngsters.
At the beginning of the second act a
stage fire broke out and soon burst into the auditorium
as a rolling ball of fire, fed by a
backdraft. A ventilation shaft in
the back corner of the auditorium pulled
the flaming mass into the balconies
where roughly four hundred theater goers
were trapped, unable to escape through
exits jammed by other people. The entire party of five
Moore, La Rose and Domann women
perished, joining nearly six hundred victims of America's worst theater disaster.
Victims in the Moore / La Rose / Domann party
Fifty-eight-year-old Mathilda Christina Hulda Johnson Moore (b. 1845)
Ten-year-old Matilda Louise La Rose (b. 1894)
Seven-year-old Josephine Emma La Rose (b. 1896)
Twelve-year-old Laura Elvena La Rose (b. 1891?)
Twenty-one-year-old Emma Domann (b.1882)
Moore and La Rose family
The children were the daughters of Joseph W. La Rose
(1867–1909) and Elvena Moore La Rose (1873–),
and Mathilda Moore
was Elvena's mother who lived with the LaRose family at at 833 N. Clark St.
in Chicago. The corner of Clark and
Armitage, near Lincoln Park, was
shared with the Relic House.*
Joseph LaRose was a native of Canada who worked as a leather cutter in
the shoe industry.
Josephine's and Matilda's bodies were
located at Rolston's funeral home and
Laura's at Horan's. One newspaper reported
that the girl's mother Elvina also attended
the theater, but lengthier stories did not
include her.
Police compiled brief descriptions of victim
belongings for newspaper publication on January 1,
1904. When the list
was compiled one hundred eighty bodies had
yet to be identified and police hoped family
members would recognize the belonging and
contact police to learn which morgue to go
to for body identification.
Emma Domann
Emma worked for the La Rose family as a domestic servant, possibly as
caretaker of the three La Rose daughters. Emma's father and Joseph
La Rose were both in the leather business. Her stated address in 1903
newspapers was that of the La Rose family — 833 N. Clark — suggesting
she resided with the family.
Emma's younger sister, Bertha Domann (1884–1980), saw to locating Emma's body.
She searched for four days to winnow down unidentified female victims of the right size and
weight to two corpses at Jordan's Undertaking. Identification of Emma's naked body
was finally verified by her dental fillings and a hip deformation. Emma
Domann was buried
at Graceland Cemetery in Chicago without a headstone. (Odd since her mother had been
buried at the Waldheim/Forest Home Cemetery five years earlier, but it may have been
a financial decision.) In October 1904, a $10,000 wrongful death suit was brought on Emma's behalf.
Emma Domann was one of seven children born to German immigrant Karl Franz Domann, Americanized to Charles
Frank Domann (1852–1928), and the late Anna Stab Domann (1860–1898). In the six years
before the Iroquois Theater fire, Charles Domann had lost his leather jewelry case manufacturing business,
Domann & Berns, to fire. He lost his oldest child in 1902. He was sued by the the
department store, John V. Farwell Co.,
for $20,000 (inflation adjusted). And he had remarried after losing his wife and mother of his
children. Some genealogy compilations identify Charles F. Domann as Carl Franz Domann.
In the years after the fire
Joseph served on the organizing committee for the victim memorial service a year after the fire.
After Joseph's 1909 death Elvena worked
as a nurse.
Discrepancies and addendum
* The building that housed the La Rose's
flat was later renumbered 1914 N. Clark.
Relic House figured prominently in
La Rose family's neighborhood The year after the
1871 Great Chicago Fire a man named Rettig salvaged
all manner of materials from the ashes.
Most people saw his accumulation as trash
but Rettig knew what all collectors know
about treasure. He incorporated the
lot into a small cottage that over the next
fifty-seven years became a Chicago landmark,
first as a curiosity, later as a popular
tourist stop, saloon, cafe and boarding
house. Rettig's first name is a
mystery but others besides me have
speculated that he was Albert Rettig
(1834-1913).
Relic House was first erected at the corner of North Park Avenue
and Center Street (known today as Armitage
Avenue) but in 1880 was moved to
North Park and Clark, opposite Lincoln Park, and ownership
reportedly
transferred to Philip Vinter. It's
various owners continued collecting remnants
from Old Chicago, adding to the decor and
grounds. One such treasure was a
painting by an unknown artist of people
fleeing the fire as they crossed from north
to south on the Rush
Street bridge, carrying children,
steering horses and wagons filled with belongings
.
Relic House later became the property
of William Lindemann who added a refreshment
parlor. In 1890 Lindemann boasted that for
enough money he'd relocated it to the 1893
Columbian Exposition grounds. (It was
mentioned in an exposition guide but
remained on the Clark/Park point.) In 1896
Lindemann announced the cottage would be
rebuilt as a $50,000 ($1.8 million today) six-story
boarding house with
seventy rooms with bowling alleys,
restaurant, roof garden and elevators,
decorated with its collection of 1871 fire
artifacts. Theodore
Lewandowski. The project did not
happen, possibly due to financial
difficulties; six months later, in
June 1897, the building went on the market. Lindemann still owned it in 1903,
however, when he
put it up as collateral against a five-year
five-percent loan for $10,000 ($340,000
today). By 1908 the Relic House was
described as being at the north gateway of
an area that had become a focal point for
various kinds of retail attractions. It
was then leased by Dr. Ben Reitman for a
couple years who operated it as a wannabe
Dill Pickle Club. The next owner was Henry
Schoellkopf who purchased Relic House in
1920 from P. Max Kuehnrich's estate for an
estimated $25,000 ($374,000 today).
Schoellkopf likely had little interested in
the melted debree and artifacts of the Relic
House decor. It was the last property he
needed to complete his ownership of a
triangular section of land on Clark, Lincoln
Park West and Garfield Avenue that had taken
from 1848 to 1915 to acquire. In 1928
M. P. Morrissey of the Morrissey Oil Burner
Company bought the block for an undisclosed
sum from the $1.6 million ($28 million
today) Schoellkopf estate.
For a photo-liscious recap of Relic House
see drloihjournal's blog.
The year before the Great Chicago Fire German immigrant
Albert Rettig (1835–, a carpenter,
later a printer, boarded
at 148 Larrabee in Chicago (today's 1109
Larrabee), an area destroyed by the fire.
He lived then one and a half miles from the
location that would become home to the first Relic
House.
In March, 1897 Albert married Wilhelmina
"Minna" Koehler. At age sixty-five in
1900 he was a saloon keeper and owned his
home 33 Noble Ave, renting two units to
boarders. Ten years later he lived at
2327 Barney Ave, owned his home free and
clear, again renting to two boarders.
Albert was the son of Adoph and Mary Rettig
of Prussia. His father was a stone
mason — the perfect occupation to teach a son how to create a
stone cottage embedded with bits of
melted glass and metal parts from pre-1871
Chicago.
A note about sourcing. When this
project began, I failed to anticipate the day might come when a
more scholarly approach would be called for. When my
mistake was recognized I faced a decision: go back and spend years creating source lists for every page, or go
forward and try to cover more of the people and circumstances
involved in the disaster. Were I twenty years younger, I'd
have gone back, but in recognition that this project will end when I do, I chose to go forward.
These pages will provide enough information, it is hoped, to
provide subsequent researchers with additional information.
I would like to
hear from you if you have additional info about an Iroquois victim, or find an error,
and you're invited to visit the
comments page to share stories and observations about the Iroquois Theater fire.