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Iroquois Theater ushers and porters
According to testimony by Iroquois business manager
Thomas Noonan there were fifteen ushers employed at the Iroquois Theater. If he testified how many were on duty at the December 30, 1903 matinee, it wasn't reported.
Fourteen testified at the coroner and grand jury inquests, as well as one former Iroquois usher.
The ushers were under the supervision of
George Dusenberry, who was responsible for hiring and training. According to testimony by Dusenberry, he was instructed by unspecified managers
(
Will J. Davis,
Harry Powers or Noonan) to hire medium-sized men nineteen to twenty-two years
old. According to testimony by many, his instructions to the
ushers was non-existent to minimal, and on at least one
occasion, his directives to an usher were overridden by Will J.
Davis.
Newspaper headlines proclaimed the ushers were 14 and that they
ran at the first sign of fire. That misleading characterization
has stood for over a century. Information about them is skimpy,
so I haven't a good guess as to how many descendants there might
be alive today, but it seems like the right thing to do to set
the record straight, even if there are none.
The age of three Iroquois ushers is not known. Five were
sixteen and under; six were seventeen to twenty-two. As to their
actions during the fire:
Two probably did flee. (VonLukowitz and Ohle)
Three stayed to help audience members escape and were later
hospitalized, one dying. (Jones, Kirwan and fatality Seymour)
Two ran to sound the alarm, one at a fire alarm box and one
calling police and fire departments from a telephone at the
cigar store next door. (Lovett and Norland)
Five testified that they opened doors to help audience members
escape. (Gibbons, Guerin, Meyer/Heyer, Treat and Quigley)
The conduct of two was not reported. (Boynton and Rattray)
Reading between the lines of newspaper reports, I suspect that
in two to three incidents, ushers' action at doors was
misunderstood by audience members. The best example of this was
Edward Lovett's testimony that when he tried to release a bolt
so as to open all three sections of a doorway in the front
lobby, thus making it wider so more people could pass through
more quickly, but in the process, of necessity, putting himself
temporarily in the path of fleeing people, they told him he was
crazy. Many of the doors at the Iroquois had multiple sections
that to open required loosening levers and bolts. Not
understanding the fasteners, audience members frantically broke
through glass panels by kicking and poking with umbrellas. Their
desperate fear and shouting outweighed the voices of those
ushers who attempted to help.
"I don't know whether he said he could not or would not."
Another example happened at one of the frozen fire escape
doors.▼1 During the coroner's inquest in January 1904, a bold
newspaper subhead proclaimed: "Usher's Refusal to Open Door."
The story quoted portions of Elviro Penedo's testimony. She had
been seated on the ground floor (that produced a half dozen
fatalities) and was one of the first to line up to exit from a
fire escape exit on the north side of the auditorium, out into
Couch Place alley. In her testimony, she first said, "I
heard this man ask the usher to please unlock the door, and he
refused." Minutes later, she was asked, "Do you recall the
conversation that was carried on with the usher
relative to the opening of the door, as to whether he answered
he could not or he would not?" Pinedo then altered her testimony
to answer, "I don't know whether he said he could not or would not." Too
late. Hundreds of newspapers around the world picked up the
subhead and reported that ushers refused to open doors. The
usher in this instance was probably Edward Quigley.
By the time the fire broke out in the second act, the
house was full so Lovett's and Claybrooks position at the front
doors would have been more about
guarding to prevent street thieves from slipping in and reaching the coat check
rooms. As demonstrated by police reports and robbery of victim corpses,
pick-pockets and thieves were a problem in the area of the Iroquois.
Claybrook was from Camesburg, Canada, In the 1910 U.S. Census he was described
as Mulatto; in 1920 as Black. His parents were Joseph and Sarah Claybrook of
Kentucky and Ohio. He married Harriet "Hattie" S. Collipo in 1890 and they had
one child, George W. Claybrook. William worked as a porter in 1903 and by 1910
as a waiter on the railroad. He and Hattie purchased their home at 5520
Ingleside Avenue in Chicago in 1899 for $2,600; around 1920 they moved to a
duplex at 4820 Langley. He was buried in
Lincoln
Cemetery in Cook County, a historically African American cemetery in Blue
Island, IL. founded in 1911 by Black business leaders of Chicago.
34
Porter
Ticket taker
James E. Gibbon (1888–1969)
434 Oakdale Ave
Iowa-born son of English immigrants, Robert and Rachel
Elizabeth Dobson Gibbon. The family
lived at 1901 W. Wolfram St in Chicago's Diversey
street area for several decades. The
1896 structure still stands. As an
adult James became a chauffeur for a time, and a mechanic.
According to his WWI draft card the fingers
on his left hand were deformed and he played
the cornet. His brother Albert served
in France. Married & divorced Jeanette
Clark, no children. Spent his last
years in Jacksonville, IL hospital for the
insane and developmentally disabled.▼3
15
Usher
1st
Response at Iroquois: Told audience to calm down. Testified that he opened non-specified front doors.
Archibald E. "Archie" Guerin (1887–1913)
655 West Harrison St
Lived with widowed mother and siblings. For Archie, more excitement began four years after fire.
16
Assistant chief usher
1st
Response at Iroquois: Opened one triple-door set in
door nos. 10-16 and two fire escape
exits in nos. 2-4. Testified that
he saw another 1st floor usher opening an
exit.
Archie Guerin's path from usher to lawyer
For a year, Chicago newspapers covered the exciting murder trial of
Archie Guerin's brother, Webster Guerin, killed by gunshot in February 1907.
Accused was Dora Feldman McDonald, third wife of a notorious early Chicago
politician/gangster/gambler,
Mike Cassius McDonald.
For a decade Dora pursued Webster as though obsessed, beginning when he
was a fourteen-year-old neighbor and she a thirty-year-old bride. The
torrid affair was not well concealed, motivating Archie and Webster's mother, Mary
Fitzgibbon Guerin (1858–1904), to plead with McDonald to leave the boy alone.
In 1907 a private detective was hired, by either Dora or her husband, to find
evidence of Webster cheating on Dora. It would later be reported that when the
detective didn't find evidence of Webster's other women, he made up a story
about Archie's fiancé. At the time, Webster and Archie owned a crayon portrait
studio,▼2 the Harrison Art Studio, in the Omaha Building — an enterprise
financed by Dora, the story went. Archie's fiancé, Avis times came to
the studio to see Archie. The detective reported to Dora McDonald that Avis was
coming to see Webster.
An enraged Dora confronted Webster, and the scene ended with him dead by gunshot.
Probably the only one surprised by that turn of events was the dishonest
detective: Dora had remarked to several people that she'd kill Webster if he tried to
leave her.
Dora said he had committed suicide. Except for when she said she'd shot him. And the
times when she said he'd tried to kill her and was shot accidentally when she
tried to take the gun away. For the next twelve months, she played the role of the
tragic victim, driven "acutely insane" to the point of imminent death by the trauma of the incident,
while a herd of alienists attempted to determine her mental state. Guiding her legally in the early days
was an attorney who had also been on Iroquois Theater manager's defense team,
Alfred S. Trude. King Mike McDonald paid Dora's $50,000 bail so she could live comfortably at
the
Sherman House hotel until her fate was decided.
While awaiting trial, Mike McDonald died and Archie married Avis. Among King Mike's last instructions to
his attorneys was to use every penny of his fortune if necessary to save Dora's life. Turned out those
pennies remained untouched, alongside nearly a million dollars in his estate. Witnesses were available for
$5 to $10 per testimony.
The twenty-one-day trial began in January 1908. A primary witness, Archie, was raked over the coals by
Dora's attorney, "Ham" Lewis. Archie and other witnesses who had appeared on the shooting scene
immediately after the gunshot testified that Dora was still holding the gun.
The other witnesses changed their testimony, but Archie would not, making it critical for the defense to discredit him.
Though multiple witnesses testified to having been paid for their testimony by the defense, Dora was acquitted.
The verdict and inheritance cleared up her vapers, "emotional insanity" and weak heart right quickly. She lived
for another twenty-three years.
Archie, the former Iroquois usher was inspired to become an attorney, and his first job as a solicitor was as an employee of the colorful attorney
Lewis who had defended his brother's accused murderer. Not for long, however. Archie died in 1913 of typhoid fever.
William H. Heyer - see Meyer
Oro B. Jones (1885–1938)
(miss reported as Oraa E. Jones, Ora Jones and Alfred Jones)
476 W. Madison
Canadian born son of bookkeeper William
Barton Jones and Susan Johnson Jones
Married Ellen H. Hurst in September 1905 and
had one child, daughter Violet, but marriage
did not last. Worked as a finisher of pianos
and automobiles. Spent most of his adult
life in Florida. Died of heart failure at
age fifty-three while operating a soda
concession on Sea Island Beach resort on
Georgia's Atlantic shoreline. He was a thin,
blue-eyed fellow, of medium height, with
brown hair.
19
Usher
3rd
Response at Iroquois:
See his testimony in news story below. Was badly
injured and taken to Passavant hospital. On early victim lists it was reported that he was expected
to die. He said that Dusenberry instructed him on opening day to open all fire escape doors in case of panic
or fire. The "little girl" in news story below, who caught the painter's plank, was
Carrie Anderson, daughter of an Iroquois scrub woman who was a fatality of the fire.
John G. Kirwan (1889–1950)
1731-1733 Wabash
Prior to Iroquois, worked at another of Will
J. Davis theaters, the Illinois. In
1909 he brought a $10,000 suit against
Fuller Construction and Iroquois management
for injuries suffered at the Iroquois. Son
of Irish immigrants, Thomas and Helen Hogan Kirwan,
with one sibling. He served in WWI
with the 54th infantry in France.
After the war he became head waiter in the
Ambassador Hotel restaurant in Chicago,
married a Missouri girl named Mabel Gould
and the pair had one child, a daughter named
Irene.
14
Usher
?
probably 2 or 3
Response at Iroquois: Testified that he became frightened and awoke in St.
Lukes hospital, remembering nothing.
Edward Lovett (sometimes reported as Ernest)
3206 Rhodes
?
Director of Ushers
All ?
Response at Iroquois: Was taking
tickets when fire started.
Testified that he ran to a nearby cigar
store to call police and fire departments,
then returned to theater where he opened one
door in the three-door set at the front entrance
(
door no.12 in set no. 10-12) and was trying
to unfasten the bolt to open the other two
doors in the set when the crowd pushed him
aside and told him he was crazy — presumably
for being in the way when he tried to
release the bolt that would open the other
two doors in the set.
As to training, Lovett testified that they
were told to remain cool in case of fire or
panic, keep people out of the aisles and
remain in their position until the
auditorium was emptied. This was
contradicted by testimony from Willard
Sayles (below), an Iroquois balcony usher,
who said they were given no instructions
regarding fire or panic.
William H. Meyer
Address unreported
(or William R. Heyer both names reported with same
story, one likely a typographical error but which one?)
?
Usher
2nd
Response at Iroquois: Testified
that he tried to calm audience to no avail
and barely had time to open fire escape
exits (door
nos. 29-31). Newspaper reports of
his testimony did not indicate that he was
queried as to which doors he opened,
interior and/or exterior.
Walter Norland (1886–1955)
182 Sedgwick
Son of Celia and the late John Norland. Married nine
years after fire and had one child.
16
Usher
?
Response at Iroquois: In foyer
when heard the cry of fire and immediately
ran to fire alarm box in front of the
Masonic Temple. Described as too frail
to have been much help with rescuing people
but he went on to live a long life.
Michael "Max" Ohle (1881–1940)
743 Irving Park Blvd
Lived with his parents, barbershop owner Julius and
Sophia Koenig Ohle, and three siblings.
Seven years earlier, at age fifteen, Max
had become addicted to cocaine by drinking Birney's cough syrup, a
catarrh formulated with 4% hydrochloride of
cocaine, a strength used for local
anesthesia. Many other catarrh's of
the time contained half that strength.
Max's situation was described in
a lengthy newspaper story and elicited a
response from Chicago's assistant
commissioner of health, Dr. Reilly. It
was not the first such report his offices
had received, he wanted readers to know. Two years earlier a
druggist had reported addictive behavior by
other users of the remedy, including a
relapse by a former
Keeley Institute graduate. Reilly
reported that he was powerless to do
anything other than warn the public.
Cocaine would not become federally regulated
until 1914. In 1896, Max's fellow
cocaine enthusiasts included Sigmund Freud.
22
Usher
2nd
Max's father, Julius, rebuffed doctors
who were interested in studying how Max coped with abrupt withdrawal.
Julius would deal with his son's drug fiend problem himself. Fiend was the
label assigned to drug addicts then. He assured the newspaper
that Max would not be let out of his sight until cured. Max even went
to the barbershop with his father. Nothing more is known about Max and his addiction. He
married and had a child, eventually moving to Utica, NY and becoming a
restaurant manager.
Max's case helped increase public awareness in Chicago so that this
anti-patent medicine poster appeared in a Chicago drugstore.
Max's response at Iroquois: Testified
that there were only two ushers working on
the second floor balcony. He hurried to non-specified exits to
"clear the way" for people to get out, then
went downstairs to see how serious the fire
was and was swept outside by the crowd.
Max's profile suggests that he and Ray
Boynton looked a lot alike but Max wore
his sideburns longer.
William L. Quigley (1887–1936)
1432 Dunning
Oldest son of Eugene and Louise Brown Quigley
16
Usher
3rd
Response at Iroquois: He opened half of the middle door
set (no. 38)
leading from the third floor
balcony out to the stairwell that went to
the lobby. It did not occur to him to open
the other half of the door set that was
fastened by catches at top and bottom.
Testified about his training in his former
ushering job at Powers Theater. There he was
taught to open exits in case of fire and on
how to use the fire hose. He was also
required to open the outer iron fire-escape
doors every night before the performance.
None of these precautions were procedures at
the Iroquois. He opened one of the fire
escape doors out of curiosity the night
before the fire, the first time he'd ever
done so.
Said that he met usher Joseph Seymour (below) the Sunday
before the fire, in front of the theater.
Seymour asked if he wanted to go to work.
Quigley said yes and was immediately taken
to Dusenberry who told him to come to work
the following day.
Harry Rattray
Nothing was reported other than that
Harry testified at the coroner's inquest.
I suspect he may have been absent from the
theater the day of the fire and was
subpoenaed only to learn if he had received
fire training.
Response at Iroquois:
not present, a former employee
Sayles testified
that he had been reprimanded by Iroquois
manager Will J. Davis on opening night at
the Iroquois for following instructions from
his supervisor, Dusenberry, to open fire
escape door (nos.
38 & 39) in response to an audience
complaint that it was overly warm. He
also said he received no instructions
regarding what to do in an emergency.
Milwaukee native
Willard was one of four children born to
Willard Sayles Sr and Annette Seacott
Sayles. Seven years after the fire he
married Emma Deneve and the pair had two
children. He went into sales and eventually
became district manager over nineteen states
then vice president at the Canada Dry Ginger
Ale company.
Note: birth/death date is iffy. If I
have the right fellow, he remained in the
theater industry, in 1918 managing a theater in
Detroit.
20
Usher
2nd
Response at Iroquois:
Testified that he was on the stairs outside
the entrance into the 2nd floor balcony. He
ran to a lower door (
no. 28 or 32) and
called to the audience to come out that way
but was ignored. He said they clambered over
the backs of seats and swarmed to the door
where most had entered the balcony
(no. 33).
What with the audience shouting and it being
dark, have to wonder how many even heard/saw
him.
Elmer VonLukowitz (1886–1951)
8 Sedgwick Court
Was one of nine surviving of sixteen (!!!) children born
to Eli and Isabella McLaughlin VonLukowitz.
Thinking that to survive in such a large
family might have required a hyperactive
fleeing instinct. He married Amelia
Larson four years after the fire; the pair
had one child, a daughter named after
Elmer's mother. He worked as a
chauffeur and a clerk. He was of
medium height and build with blue eyes and
dark brown hair.
17
Usher
1st
Response at Iroquois: Testified that when he heard the cry of fire he ran out the front door and did not return.
Did Iroquois Theater ushers wear top hats to the grand opening the night of November
23, 1903? The absence of women in this photo suggests it was
taken before the audience arrived, thus the men pictured might
be ushers and other theater staff. The postures of some suggest
youthfulness, so maybe. Presumably they would not have worn
formal attire to an afternoon matinee, however, so were clad
differently on Dec 30, 1903. In 1903, two p.m. was the starting
time when more formal wear was expected from gentlemen. Top hats
were viewed by some as an unfortunate import from London.
G. F. Foster uniforms?
For the
Haymarket Theater in 1887 Will J. Davis purchased usher uniforms from
G. F. Foster, Son & Co. When it came to purchasing, Davis was a
creature of habit, so much so that there was much supplier duplication
between the Illinois Theater of 1901 and the Iroquois two years later.
He did not make note of the supplier of uniforms in the programs for the Illinois or
the Iroquois, however.
More pay
Theater ushers around the country were organizing in
hopes of raising their compensation (see right). In reading a decade
of news stories, it struck me that what was needed first was a public
relations program.
This 1896 story ran in dozens of papers and reflections a common
portrayal of ushers as dishonest. That perception may have played
a role in why 1903 newspapers were so quick to paint a picture of Iroquois
Theater ushers as self interested and irresponsible.
I wonder if Iroquois ushers were paid their standard
hourly rate for the time they spent immediately after the fire, collecting
the belongings left in the theater by fleeing patrons.
Completion of that task was soon turned over to the police department
who a month later would find a severed hand in the debris. As the
first clean-up crew, ushers faced a gruesome scene.
Discrepancies and addendum
1. The steel exterior doors on the fire escapes were
frozen shut from below-zero temperatures. Even after
the latches were unfastened, most required a heavy
shoulder to open.
2. The second time a crayon portrait studio has come
up in Iroquois stories. Iroquois fatality
Eva Wilcox was married to a crayon portrait artist.
A note about sourcing. When this
project began, I failed to anticipate the day might come when a
more scholarly approach would be called for. When my
mistake was recognized I faced a decision: go back and spend years creating source lists for every page, or go
forward and try to cover more of the people and circumstances
involved in the disaster. Were I twenty years younger, I'd
have gone back, but in recognition that this project will end when I do, I chose to go forward.
These pages will provide enough information, it is hoped, to
provide subsequent researchers with additional information.
I would like to
hear from you if you have additional info about an Iroquois victim, or find an error,
and you're invited to visit the
comments page to share stories and observations about the Iroquois Theater fire.