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On Christmas Eve 1903, Mattie Hogue McGill set about bringing her family
together in Chicago over the New Year's holiday.
They were the upper-middle-class offspring of four
powerhouse fellows who had helped settle Ohio,
played commanding roles in America's and France's
military histories, and in spreading Christianity in
China. A party of five, consisting of Mattie, her
daughter, mother, sister-in-law, and nephew, boarded
a train to spend most of twenty-four hours traveling
to Chicago. There they were met by Mattie's sister and
brother-in-law, Honoria and Charles Koll.
A prominent event in their holiday plans was an
afternoon theater matinee at Chicago's newest
playhouse, the Iroquois Theater on Randolph St. On
Wednesday, December 30, 1903, six family members
(Mattie, Nora, Charles, Mary, Elizabeth, and Andrew)
went to enjoy Klaw and Erlanger's production of Mr.
Bluebeard.
When a fire broke out on stage, it soon
spread to the auditorium. Within minutes, nearly six
hundred were dead, including two of the five-member McGill-Koll-Happer
party.
Five passengers boarded the train in Pittsburg
Martha R.K. Mattie Hogue McGill
(1859–1946), age forty-four, standing a mere
5'1" tall, with a fair complexion, round
chin, and straight nose, was the wife of
Pittsburgh attorney, William Mowry McGill
(1854–1914), a partner in Chantler, McGill &
McClung, Elizabeth, their only child, the
McGills lived at 7225 Meade St. in
Pittsburgh's East End. The structure was dubbed the
Pittsburgh Sanitarium Health Resort,
previously known as the Fahnestock Mansion
and the Normandie. By 1908 it was converted
to a tuberculosis and morphine addictions
hospital. Also living there in 1903 was
William McGill's sister and son, Mary McGill
Happer and Andrew P. Happer, his father,
James D. McGill, and Mattie's mother, Orilla
Koontz Hogue.
Elizabeth Koontz McGill (b.1891)
Mattie's twelve-year-old daughter,
who would four days later die at the
Iroquois Theater, boarded the train. Elizabeth attended the
Misses Mitchell's Winchester preparatory
school in Pittsburgh (later merged with
Thurston to become today's
Winchester-Thurston). The Solomon Hogue
bloodline ended with Elizabeth's death. She
was the only offspring of Solomon's
children.
Orilla Koontz Hogue (1834–1914)
was the sixty-nine-year-old mother of Mattie and
Nora, grandmother to Elizabeth McGill. There were no reports of Orilla attending the theater, but she made
the train trip to Chicago. A Virginia native
and son of an Ohio congressman, her late
husband Solomon Hogue (1821–1897) had served
two terms as a state senator in Ohio and
operated several businesses in dry goods,
wool, and tobacco. During his lifetime, the
family lived in Somerton, OH. He left a
sizeable estate for his wife and daughters
that would support Orilla and Mattie
throughout their lives. Orilla was Solomon's
second wife, having married him after the
death of her sister, Cornelia Koontz. She
bore him six children, of which three adult
daughters survived when she boarded the
train for Chicago. Only two made the return ride to
Pittsburgh.
Mary D. McGill Happer (1856–1936),
Mattie's sister-in-law, age forty-seven, was the widow of Andrew Patton
Happer II (1849–1897)* and mother of Andrew
Happer III. Her husband had died six years
earlier at age forty-eight when they were
living in Newchwang, Yingkou Shiqu, Liaoning,
China. He died without knowing that Mary was
pregnant. His son Andrew Jr. was born nine
months later. Son of a Presbyterian
missionary who worked in China for over
forty-five years, Mary's husband had been
born in China and grew up in Canton. In
addition to English, he spoke Cantonese
dialect, Chinese, and Mandarin. He returned
to work for the Customs Department after
graduating in 1871 from Princeton University
and, at death, was commissioner of the
Newchwang port. He died from rabies seven
months after a finger bite by a small rabid
dog (web surfing tells me that in rare
cases, the rabies virus incubation can be as
long as two years). Mary may have formed a
special bond with her sister-in-law, Mattie
Hogue McGill when both suffered painful
losses in 1897. Mary lost her husband and
Mattie, her father.
Mary's son Andrew Patton Happer III (1898–1958),
age five, was a boy who never
knew his father or maternal grandfather but
lived with his paternal grandfather, James
D. McGill (1825–1915), who received the telegram
notification of the survival of his
daughter and grandson.
Two welcomed the train in Chicago
Honoria Hogue Koll (b. 1854),
nicknamed Nora, Mattie's older sister, age
forty-nine, would die at the Iroquois.
Married in 1875, Nora was childless. The
pair had lived in Salem, Ohio, until 1900
sharing their home with Nora and Mattie's
mother, Orilla (see above). In 1902 they
moved to Chicago and lived at 496 Ashland
Blvd.
Charles L. Koll (1854–1905)
Nora's forty-nine-year-old
husband, in 1903 working as a superintendent
at the Chicago Stove Works and co-founder of
the Victor Stove
Works in Salem, OH, with his father and brother.
Victor Stove Works produced 10,000 ranges
and heating stoves annually and employed
seventy men. A 1905 genealogy collection
reported that Charles' health was poor then
but did not indicate the nature of his
illness. Newspapers after the fire reported
that he was in the theater party but did not
mention if he was injured. He could have
suffered debilitating respiratory damage
that contributed to an early death. Charles
Koll's grandfather, Peter A. Koll, was a
captain in Napoleon's army during the
Austria-French war. His father, Daniel Koll,
immigrated to America from Germany. In
addition to his stove manufacturing
enterprise, he was involved in the Quaker
faith and Salem, OH utilities and banking.
Charles Koll's name inaccurately appeared as
a victim on some early newspaper lists.
Seating at the Iroquois
According to a newspaper
interview with Martha McGill, the McGill-Koll-Happer
party was seated in one of the front rows of seats
of the first-floor balcony, at the far north side of
the auditorium, near the outer wall. They were
within a dozen feet of
three doors leading to fire escape exits to
Couch Place alley. According to later investigation,
two of the doors were opened during the fire, but
Martha's description of their escape suggests one of
the two, door #29, had not yet been opened.
They fled up the aisle toward the landing, where the
crowd had amassed and were separated. Mother and
daughter screamed to one another but were unable to
push against the crush of people.
Another train ride, this one
in anguish
William McGill was in Pittsburgh at the time of the Iroquois Theater fire,
in his office in the Park Building, and received a
telegram that his wife and daughter were missing
after the theater fire. The sender was identified
only as "McGill." William
knew Martha would not have sent it without including
her name and took the first train he could find to
Chicago. At stops along the way, he purchased
newspapers reporting on the fire and his family.
Some reported both wife and daughter were lost but
cited incorrect first names. As he traveled through
Liverpool, Ohio, one newspaper interviewed him and
got a more accurate story.
Funerals
Elizabeth's body was transported back to Pittsburgh in the private car of
A.M. Schoyer, general superintendent of the
Pittsburg, Ft. Wayne & Chicago Railroad, accompanied
by her parents and aunt. The service was conducted
by Reverend Dr. E. H. Ward of the Protestant
Episcopal church. Martha attended her daughter's
funeral with her head bandaged from minor burns.
Elizabeth was buried in the McGill family plot in
Allegheny Cemetery in Pittsburgh with her paternal
grandparents. Her body reached Pittsburgh on
Saturday, and the funeral was held that afternoon.
Her parents were buried elsewhere in the years
ahead.
Nora's body was found at Rolston's Funeral Home and
identified by her husband, Charles Koll. Her funeral
was held in Salem, OH, where she and Charles had
lived for many years and where the Koll family was
much respected. Her funeral was scheduled to take
place simultaneously with Elizabeth McGill's funeral
in Pittsburgh. Nora was buried in Hope Cemetery in
Salem. Charles would be laid by her side less than
two years later.
In the years after the fire
Six months after the
Iroquois Theater fire, Elizabeth's parents started a
library in her name at her school, the Winchester,
donating four hundred books.Martha and William
divorced within a decade after Elizabeth's death.
She remained a resident of Pittsburgh. At Orilla's
death in 1914, Martha and her sister, Emma Hogue
Stanley (1869-1942), split an inheritance of around
$35,000 (around $850,000 today). Martha made
multiple trips to Europe.
Charles Koll remained in Chicago until his death in October 1905.
Mary Happer never remarried.
She was active in
womens' clubs and charity organizations in Ben Avon,
PA. At the end of her life, she lived with her son
Andrew Happer nd his family.
Andrew followed in his father's footsteps and
graduated from Princeton but chose a career in
industry rather than government service as had his
father or the ministry
like his grandfather. He served in World War I,
married, and had a family.
Elizabeth's injuries
One newspaper reported that Elizabeth was pulled to the floor and
trampled but in the next paragraph reported that her
body was not bruised or burned. Can't have it both
ways. Trampling = bruising. An inaccurate report that
contradicts Martha's testimony had Nora and
Elizabeth remaining in their seats and suffocating.†
That same newspaper reported Elizabeth incurred only superficial burns.
Again, can't have it both ways. The few bodies
found in the seats at the center front of each
floor were amongst the most severely
burned because of the fireball.
Discrepancies and addendum
Guess-time alert 1: I don't know that Mattie was the trip organizer.
a. She attended a small private college for a time before marriage, an
uncommon choice for a girl in 1876. (Her college
experience at the
Beaver College & Musical Institute [since
renamed Arcadia University] might have
contributed to her interest in attending a
musical while in
Chicago.) b. She sent her daughter to a college
preparatory school that emphasized academics
rather than embroidering. c. Later in life, as a
divorcee, Mattie traveled to Europe at least
three times. So she seems plucky ahead of her
time. (Mary McGill Happer was no slouch in the
pluck department either but was an unlikely
instigator of a trip to visit the Kolls, to whom
she was not directly related.)
Guess-time alert 2: I do not know with
certainty that young Andrew Happer accompanied
his mother to Chicago or to the theater. One
newspaper reported there were two children in
the McGill-Koll-Happer theater party. Elizabeth
McGill was one, and the other was not named. The Kolls were childless, so the second child was
not theirs. It could have been a neighbor's
child or some such, but it seems probable that
Mary Happer, widowed nine months before her
boy's birth, would have kept him close. I can't
see her going to Chicago and leaving Andrew back
in Pittsburgh with her seventy-eight-year-old
father, Civil War veteran Captain James D.
McGill (1825–1915).* Once in Chicago, however,
Mary might have left the five-year-old with his
grandmother Orilla at the Koll's home. That
would explain why Orilla didn't go to the
theater. I'm betting not, but it's possible.
Surviving the Iroquois Theater fire may have
become part of Happer family lore, so perhaps a
descendent of Andrew P. Happer will someday find
this web page and answer the question of whether
young Andrew survived the Iroquois Theater fire.
* McGill wasn't the only American Civil War hero
in this interesting family. One of Andrew
Happer's cousins,
Major Andrew G. Happer, fought at Manassas,
Antietam, Fredericksburg, Chancellorsville, and
Gettysburg, then rode through Pennsylvania with
Lincoln's funeral train.
† According to reported trial testimony by a
fireman, as few as six to twenty corpses, were
found sitting in their seats as though waiting
for the play to resume. The unsettling scene was
described, briefly but dramatically and
memorably, in early reports by Chicago
newspapers. It was picked up and hyped by
newspapers around the country, with the number
of corpses sometimes magnified to hundreds. A
few out-of-town newspaper writers took it
further and attached it to stories about
specific victims. To their credit, Chicago
newspapers knew better and refrained.
Imagine a crime scene in which five hundred or
more victims have been removed before
investigators arrive. Who died where? Of what?
First responders at the Iroquois Theater did not
take notes about body locations. Bodies were
carried out of the theater, loaded into wagons,
and transported to sixteen morgues and a half
dozen medical facilities. The bodies were
handled by dozens of police and fire workers for
three hours. Those who carried Nora and
Elizabeth from the auditorium did not load the
bodies in a wagon then ride with it to the
morgue and report to the mortician that those
two bodies had been found sitting in their
seats. Did not happen. They loaded each body
into a blanket sling, carried it downstairs,
swung it into a wagon headed for the morgue,
then went back upstairs to do it again.
Prosecutors would have been giddy to have seats
full of dead prospective plaintiffs who
demonstrably failed to cause their own death by
panicking. From an evidentiary viewpoint, the
Iroquois was one of the most compromised crime
scenes in history. The thrust of the
prosecution's effort focused on
Vera Jackson because she was one of the handful that could be verifiably connected to a death the defense couldn't claim she'd brought on herself.
Zanesville Ohio family of
five die at Iroquois Theater
Party of five from Akron
and Chicago
DAR granddaughters escaped Iroquois Theater
Other discussions you might find interesting
Story 2846
A note about sourcing. When this
project began, I failed to anticipate the day might come when a
more scholarly approach would be called for. When my
mistake was recognized I faced a decision: go back and spend years creating source lists for every page, or go
forward and try to cover more of the people and circumstances
involved in the disaster. Were I twenty years younger, I'd
have gone back, but in recognition that this project will end when I do, I chose to go forward.
These pages will provide enough information, it is hoped, to
provide subsequent researchers with additional information.
I would like to
hear from you if you have additional info about an Iroquois victim, or find an error,
and you're invited to visit the
comments page to share stories and observations about the Iroquois Theater fire.