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One hundred seven days later, the massive company opened in
Pittsburgh. Promotion throughout the tour proclaimed it was
almost the same cast that had appeared on Broadway. In
actuality, slightly less than half the thirty-five principals
had appeared in New York. The number of people reported to be in
the road company varied from 185 to 400.
This page discusses the road
schedule and a few principals.
Mr. Bluebeard
road company Manager, Edwin Price
Edwin H. Price (1848–1929),
Toronto native, was sometimes
referred to as the manager for the
Mr. Bluebeard Company and sometimes
as manager for Klaw & Erlanger
of their operations in the western
U.S.
He had "stepped out of the building
for a minute" just before the fire
started and as he returned saw
people fleeing the theater. He
helped performers escape from the
stage and saw to finding cabs
to take Chicago-based chorus girls to their homes.
He remarked upon the cool and
disciplined departure from the
theater of one of the girls, Viola McDonald, saying that she had
remained in her dressing room to
switch from her costume to street
clothes, then carried her costume
out with her. Another
newspaper referenced Viola
as "one of the most beautiful chorus
girls on the stage." See below.
Price married, cheated on and
divorced actress Katie Baker, threw
her over to marry celebrity actress
Fanny Lily Gypsy Davenport
(1850–1898), who after ten years
cheated on and divorced him.
So he married a Clara Baker who may
have been his first wife, Katie
Baker.
In 1905 Price managed another Klaw &
Erlanger production, Humpty
Dumpty.
Viola McDonald's (1882–1968)
Violet's
escape from the Iroquois Theater
drew more publicity than anything
she did on the stage. Her career
lasted from around 1902 to 1926.
1904 newspaper stories described Viola as
the "last to leave the theater," a
hooey claim. Things were
happening in split seconds and in
extreme chaos with thousands of
audience members, first responders,
anxious relatives and looky loos on
the streets surrounding the theater.
People fled from over a dozen
doorways and multiple coal chutes
and no one was keeping track of who
exited first or last.
Newspapers were more addicted to
superlatives in 1904 than they are
today. Iroquois stories abound
with "most," "last," and "first"
embroidery.
Viola was at the
back of the stage when the fire
broke out and ran to basement
dressing rooms to put on her street
clothes. When she tried to go
back upstairs, carrying her costume,
the stairwell was blocked with
flames and smoke. She returned
to the basement and like many other
chorus girls, crawled out a coal
chute that opened onto the sidewalk
in front of the theater.
Firemen helped them climb out of the
hole. In the first two weeks
of January, 1904 the story was
picked up by newspapers around the
country.
Her first role
subsequent to Mr. Bluebeard
was in the road company for Only
a Shop Girl.
She got out of the chorus the first
time in the
1905-6 role of Jane in Tomboy
Girl. In 1906 she
married a fellow cast member of
Tomboy, Leo J. Doherty
(1883–1960) and the pair performed
in a vaudeville comedy act in the
mid 1920s. A
fellow Bluebeard
chorus performer,
Frank Holland, then described
Viola's role at the Iroquois as that
of a hero who led twenty chorus
girls to safety through the coal
chute. Nothing of the kind was
recorded in 1904.
1903 Mr. Bluebeard road company performance schedule:
Pittsburgh, Pennsylvania
ran for two weeks September 28 to October 10, 1903.
Performed at the
Alvin Theater, a 2,200-seat facility at 115 Sixth Avenue
built in 1891. It was operated by the
theater syndicate beginning in 1897. Campstools
were set up to accommodate the theater crowd at Mr.
Bluebeard on its first night at the Alvin.
Cleveland, Ohio ran for two
weeks October 12 to October 24, 1903.
The cast left Cleveland on route to
Indianapolis on Big Four train No. 29 with baggage and
scenery on a second train, No. 11, consisting of seven cars.
Indianapolis, Indiana ran for
five nights October 26 to October 30, 1903.
Performed at the English Opera House.
There was a new employee at the theater.
A month prior twenty-four-year-old
Tommy J. Flanagan had left his job as a
locomotive machinist to become a lighting man on the stage
at the English theater. When the Mr. Bluebeard company left
town for St. Louis, Tommy and his wife of two years, Lottie,
joined them. Two months later, he died at the Iroquois.
Opened in 1880,
English's Opera House was the leading theater in
Indianapolis. Seating 2,500, it offered the largest stage in
the city, the only one that could accommodate Mr. Bluebeard's
huge cast and extensive scenery. A year earlier, it had
offered Ben Hur with a chariot race that included eight live
horses running on treadmills.
St. Louis, Missouri ran for two weeks November 1 to November 15, 1903
Performed at the Century Theater. In a newspaper
interview, a manager at the theater, Sam Harrison, said it
took one hundred carpenters to put the show together.
It might have been an extra challenging job. By most
accounts, the stage at the Century was too small for the
crazy large production. The St. Louis Republic
newspaper reporter ended his review with, "You wouldn't
care to see Mr. Bluebeard more than once, but it is worth
seeing that once."
A Wabash railway train made up of four sixty-foot cars, and one
fifty-footer for stage carpenters, scene shifters, etc.
transported scenery, costumes, and property from St. Louis to
Chicago, and two 1200-Series coaches on train No. 14,
brought the cast, arriving in Chicago the afternoon of
Sunday, November 15, 1903.
Chicago, Illinois ran from November
23, 1903 to Dececember 30, 1903
Performed at the Iroquois Theater
Management made the decision to close Bluebeard early due to
lackluster ticket sales and replace it with
Ben Hur.
At an afternoon matinee on December 30,
1903 nearly 600 people lost their lives in the worst theater
fire in America's history.
1904 stops cancelled: Buffalo, NY
Chicago aldermen on fire
Lizzie Danner was left
with a blue vase and pink bedroom set
Carrie Leavenworth of
Decatur, IL
Other discussions you might find interesting
Story 2939
A note about sourcing. When this
project began, I failed to anticipate the day might come when a
more scholarly approach would be called for. When my
mistake was recognized I faced a decision: go back and spend years creating source lists for every page, or go
forward and try to cover more of the people and circumstances
involved in the disaster. Were I twenty years younger, I'd
have gone back, but in recognition that this project will end when I do, I chose to go forward.
These pages will provide enough information, it is hoped, to
provide subsequent researchers with additional information.
I would like to
hear from you if you have additional info about an Iroquois victim, or find an error,
and you're invited to visit the
comments page to share stories and observations about the Iroquois Theater fire.